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Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. Once a familiar threat returns to finish what was previously started, Jake must work with Neytiri and the army of the Na’vi race to protect their home.
Jake Sully lives as chief of the Omaticaya and raises a family with Neytiri, which includes his sons Neteyam and Lo’ak and his daughter Tuk, his adopted daughter Kiri (born from Grace Augustine’s inert Na’vi avatar), and a human boy named Spider, the son of Colonel Miles Quaritch who was born on Pandora and was unable to be transported to Earth in cryostasis. To the Na’vi’s dismay, humans return to Pandora to colonize it, erecting a new main operating base named Bridgehead City. Among the new arrivals is Quaritch, cloned into a Na’vi body and fitted with his template’s memories from before his death.
Jake leads a guerilla campaign against the RDA supply lines. Quaritch initiates a search mission to kill Jake, and his squad captures Jake’s children. Jake and Neytiri arrive and free most of them, but Spider is taken by Quaritch, who recognizes him as his son. He decides to spend time with him in order to draw Spider on his side, and in turn Spider teaches Quaritch about Na’vi culture. Aware of the danger Spider’s knowledge of his whereabouts poses to their safety, Jake and his family banish themselves from the Omaticaya and retreat to the Metkayina reef people clan at Pandora’s eastern seaboard, where they are given shelter, even though some tribesmen deride Jake and his children for their genetic human heritage. The family learns the ways of the reef people, Kiri develops a spiritual bond with the sea and its creatures, and Lo’ak befriends Tsireya, the daughter of clan chief Tonowari and his wife Ronal.
Lo’ak gets into a fight with Tsireya’s brother Aonung. When he returns to apologize at Jake’s insistence, Aonung and his friends entice him to a trip into the territory of a dangerous sea predator and leave him stranded. Lo’ak is saved by and befriends Payakan, a tulkun, an intelligent and pacifistic cetacean species whom the Metkayina consider their spiritual family. Upon his return, Lo’ak takes the blame on himself, winning Aonung’s friendship, but is told that Payakan is an outcast among his species. On a trip to the Metkayina’s Tree of Souls, Kiri links with it to meet her mother, but suffers a violent seizure. She is healed by Ronal, but when Jake calls Norm Spellman and Max Patel for help, Quaritch is able to track them to the archipelago where the reef people live. Bringing Spider with him, he commandeers a whaling vessel which is hunting tulkuns to harvest their brain enzymes for creating anti-aging remedies. Quaritch begins to brutally question the indigenous tribes about Jake’s location; failing that, he orders the whaling crew to wantonly kill the tulkuns in order to draw Jake out. Lo’ak mentally links with Payakan and learns that the tulkun was cast out because he went against the ways of his species and attacked the whalers who killed his mother.
This sequel has a design and look that matches the first film but it no longer has the same impact. While the ocean setting brings new creatures for us to marvel at – it isn’t as breathtakingly new as it was 13 years ago.
There are a lot of action set pieces and all of them are great to watch, although they feel either repetitive or borrowed from previous Cameron films like Titanic.
For me, bringing back both the Grace character and the evil colonel felt too much. One of them, Grace (Sigorney Weaver), would have been sufficient, the Colonel could easily have been a brother like in Die Hard 3, although this would require additional story changes regarding the adolescent « Spider » character. But that would have been better than the whole « importance of Family » theme running through everything. Just too much of that for me, as well as let’s make sure only incidental characters die.
The 3D and higher frame rate aspects added nothing extra for me, and at times made it feel like video and not like a real film – although interestingly this video feel was not always there like in the Hobbit films, but would come and go.
The story of this film becomes a battle between Jake and the cloned Colonel, with the rest of the global aspect of Pandora verses Humans dropping by the wayside. It would have been more interesting if the new antagonist, not a clone of the Colonel, disobeys his orders from the General and goes AWOL to hunt down Jake – like Captain Ahab and the white whale.